For MAC Members who will be in the Los Angeles area on Sunday, April 27, The Billy Barnes Foundation and Fraser Entertainment Group are presenting the BILLY BARNES’ BASH – A BENEFIT CONCERT FOR THE […]
FRIGID New York has announced the schedule for the 2025 New York City Fringe Festival, running from April 2-20 at venues UNDER St Marks and Wild Project in the East Village; the Chain Mainstage and […]
Vocalist and cabaret doyenne, Sue Matsuki, with musical collaborator, music director-pianist-vocalist, Gregory Toroian, present an encore of Reservations for Two at Don’t Tell Mama on Friday, April 4 at 7 PM. As always, bassist Skip […]
Tony Award® nominated actor-playwright-vocalist Charles Busch presented My Leading Ladies—stories and songs devoted to the women who have inspired him from show business legends to the remarkable aunt who raised him—on Saturday, March 22, […]
By Bart Greenberg***A fascinating performance piece presented by La MaMa ETC and Yara Arts Group at the former’s historic theater, The Magic of Light reflects on the history of Ukraine utilizing several parallel stories in […]
The Manhattan Association of Cabarets (MAC) has announced all of the honorees who will be celebrated as part of the upcoming 39th Annual MAC Awards on Thursday, April 10 at 7:00 PM, at Peter Norton […]
By Marcia Blondin*** Vocalist Marieann Meringolo recently celebrated her opening night, A Lot of Livin’ to Do at Act2PV’s Casa Karma Red Room, bringing a touch of New York to the stage. Known for her […]
Vocalist Marie-Claire Giraud performs From Harlem to Hollywood on Sunday, April 6 at 54 Below at 7 PM. She’ll be accompanied by pianist-music director Matt Baker with Skye Hamilton-Carranza (sax), Paul Gill (bass) and Pete […]
Award-winning vocalist and NYC native Marieann Meringolo brought A Lot of Livin’ To Do, a celebration of the timeless classics from the Great American Songbook to the Casa Karma Red Room in Puerto Vallarta, with […]
By Marilyn Lester*** Notable composer-conductor Igor Stravinsky had a pretty low opinion of composers of film scores: he wrote in 1946 in the Musical Digest, the work was “namely to feed the composer:” i.e. his […]
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