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CD Review/September's Child/Joel Larue Smith/Self

Cogent, conclusive, convincing, decisive, effective, forceful, persuasive, satisfying, strong, telling, pertinent, well founded, invincible, unbeatable, unconquerable, stunning, alluring, appealing, charming, delightful.

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CD Review/Mark Turner/Sky And Country/B0012669-02

In the vernacular of the 'left side' of the world famous free jazz group 'Fringe.' (George Garzone, John Lockwood, Bob Gullotti), we are treated to a musical display of strong original jazz that still falls within the 'mainstream,' albeit a definite listenable avante' style.

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Commentary: Jazz Singer and American musical icon Mark Murphy

What can you say and what do you call a musical savant and American treasure who has accomplished more artistically and accrued inumerable accolades in an utterly diverse career? You call him jazz singer extraordinaire Mark Murphy!! At 76 and still touring 'after all these yrs,' Murphy continues to ply his wares globally, and is scheduled to perform at the famed Cotton Club in Tokyo, and on the heels of this potential achievement, he's also looking at some viable musical work in Holland.

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Here we have an ambitious undertaking by a gifted composer as he filters his original music to us his listeners through his experimental CD project. I wouldn't call David Schumacher's original music audacious, but he conducts his wondrous Thad Jones-esque big band through his musical statement with a bent that is on the borderline of the ''avante'' certainly the ''mainstream.'' The intonation of his big band is reminiscent of the flawless voicings and timbre one could hear with the present day Carl Saunders bebop big band.
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CD Review/Marlene VerPlanck/Once There Was A Moon/ACD-338

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I think that pop-jazz Diva Marlene VerPlanck and her compelling vocal talents help to define the idiom of jazz and vocal jazz which we all love and nurture by default. Her new vocal CD project ''Once There Was A Moon'' is a magisterial, and lively overview of why we are so enthusiastic about an idiom which we here in the good ole' USA have helped to invent....

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CD Review/David Binney/Third Occasion/MR0006

This is a modernistic albeit totally pleasant venture into the modern jazz bag, (with a little avante' thrown in as well!). Binney's compositional style is a total 'grabber' as it were.

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CD Review/Aaron J. Johnson/Songs Of Our Fathers/Bubble-Sun1001

Let me assert right off the bat that bebop is where jazz trombonist Aaron Johnson 'lives.' And, his animated set of originals contained therein will attest to this fact. Aaron believes in high musical energy exemplified by the level of player delivery.

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CD Review/Frank Macchia/Saxolollapalooza/FMC514

We are treated to a very very interesting union of all the different reeds played  by true masters of their craft. Reed player Frank Macchia re-composes the composition with his treatment of these 'old chestnuts' contained therein with his saxophone septet with Peter Erskine on traps. It all hangs together well.

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CD Review/Marc Copland/Night Whispers/PIT3037

Night Whispers indeed! When Marc plays his piano jazz to you,,,,,,,,,,,Your hair lifts off of your arms!! I've never heard a more haunting and compelling version of the jazz classic ''I Fall In Love Too easily''

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CD Review/Jason Rigby/The Sage/FSNT328

 

Bordering on classic mainstream jazz with a touch of viable avante garde' Jason Rigby plus group takes us on a harmonic/melodic sojourn that is nothing short of spectacular. Jason plays his sax with a clear, natural, and certainly an utterly beautiful sound. And, when we listen, it's as though there's no other music like his in the world!

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Pick of the week

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 Elizabeth Sullivan photo by Russ Weatherford                                                                                                   This week, our Cabaret Pick is Elizabeth Sullivan on Sunday. She’s a lady who celebrates her birthday during this week, too (May 22). She’s a graceful, dignified, full-of-heart performer and a thoughtful, artful songwriter who does not shy away from real feelings. Whenever I see her perform, it’s a tenderly tendered mix of smile-inducers and tear duct activation.

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