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Many songs and poems have been written about the the trials and tribulations faced by the creator. But Joe Schermann's cabaret revue It's Not About Me / How Do You Write A Joe Schermann Song? performed at Don't Tell Mama on April 25, 2012, plants the listener inside the creative process with a seldom equalled intimacy and wit. Mr.Schermann's troupe consists of four gifted vocalists, whom Mr.Schermann deploys in varying combinations, or as soloists, which enlivens the show with an expertly crafted unpredictability that somehow mirrors the creative turmoil that Mr.Schermann elucidates with such panache .
This sort of seamlessly realized connection between form and content, of course, speaks to the mastery of the director, Gary King. And Andy Williams, the violinist, with a few well-placed notes that never seek to call attention to themselves, nonetheless adds just the right touches that unfailingly highlight the lyrical content of the songs. His sly mastery was very much appreciated. Sara Lynn Evenson, a singer whose whose fiery power in stratospheric regions, is never less than thrilling, performed with a gusto and dedication that brought appreciative outbursts from the audience on several occasions. The husky warmth of Kenton Fridley's astonishingly flexible voice that simply refuses to acknowledge any limitations, served the material with a modesty and restraint that is seldom displayed by singers who possess the remarkable capacities with which he is gifted. Kara von Aschwege's comedic gifts were especially well suited to the material. Her excellence on" patter" tunes should in no way obscure her considerable vocal gifts. David Andino sang with a sensitivity and intelligence that was reminiscent of Sinatra at his most subtle. His mesmerizing voice induced a hushed, almost prayerful, reverence on the part of the audience. And his comic persona - the schleppy loser - should earn him a part in a Woody Allen movie. All in all, a very enjoyable evening that explored issues of great concern to performers and their public, with a deftness and musical expertise that, to my mind, indicates that Joe Schermann and his compatriots have arrived.
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