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Ellen Kaye Brings Down the House with Ice Wine: Songs for Dark Winter Nights

Written by Danielle Miceli

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Ellen Kaye’s newest show at The Metropolitan Room is a stunner. It is entitled Ice Wine: Songs for Dark Winter Nights. It was my first time seeing Ms. Kaye perform and I was absolutely floored. Her energy was bright and sexy at the same time. And, she was as comfortable singing Springsteen as she was with singing a love song by Kurt Weill and Ira Gershwin. Her voice has a slightly raspy yet appealing quality. One could compare her to Liza Minnelli, Janis Joplin, Taylor Dayne, and Melanie combined. Her vocal sound is unique and magnetic.

A New Day Dawns for Metropolitan Room

Written by Andrew Martin

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The only applicable word for what took place at Metropolitan Room (34 West 22nd Street) on the evening of Thursday, December 8th, would be "magical." But it wasn't merely the night itself or the glorious party, it's what the future holds for the cherished jewel-box that is this club. Brothers Christopher and Steve Mazzilli, who possess the club (and Gotham Comedy Club on 23rd Street) along with minority owner Peter Leavy, have added a new partner, Bernie Furshpan, who is announcing a plethora of changes to spruce up what is already New York's most popular cabaret space.

Review of Jean Brassard's "The Kid From Paris- the Songs of Yves Montand""

Written by Jan Wallman

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The Kid From Paris - the Songs of Yves Montand, is really a theatre piece, at an hour and forty-five minutes, nearly twice the length of the usual cabaret show (but with the obligatory "2 Drink Minimum"). It goes very fully into the life of Yves Montand, this incredble entertainer, showing us the 50 years of his musical performance life, against the backdrop of Paris in those exciting times, including his private life and his politics, delineated by Brassard, an equally incredible performer, who has every bit of the star quality of the artist he is reflecting. He is utterly amazing, a consummate talent. He is a singer, an actor, a song and dance man, a musician, a raconteur, a personality - and he's handsome, too.

Velez-Mitchell's "Temple" is SANCTIFIED!!!

Written by Andrew Martin

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Anybody who makes the careless statement, "There is no such thing anymore as a quality musical in New York by unknown songwriters," has clearly not visited the West End Theatre at 263 West 86th Street, where MultiStages is currently presenting Temple of the Souls. With a book and libretto by legendary poetess and performer Anita Velez-Mitchell (yes, the mother of newscaster Jane from the Headline News Network on cable), music by the seamless team of Dean Landon and Anika Paris, and effortless direction by Lorca Peress (who also designed the amazing sets) and splendid choreography by Milteri Tucker, the show is proof positive that no great effort goes unrewarded. In point of fact, and in a season where even the New York Musical Theater Festival was barely able to display anything that might be considered Broadway-worthy, this brilliant show has every ounce of potential to head straight to the top and beyond.

Marta Sanders: The Gift that Keeps on Giving

Written by Andrew Martin

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It was to be expected that the show Ho Ho Ho! Kick Off the Season with Marta!featuring cabaret legend Marta Sanders at the Laurie Beechman in her first full-length offering in many seasons, would be absolutely heavenly. And it was, in abundance. But what came with this was an indescribable quality; Sanders has never lacked for elegance, finesse or vocal richness, and all of these were more than clearly evident as usual. More than this, though, is the feeling that Sanders has somehow aged like a fine wine;

Joan Jaffe Review

Written by Jan Wallman

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Joan Jaffe uses a quote "Joan Jaffe is a funny lady... utterly delightful... her timing is masterful - Jan Wallman, NiteLifeExchange" in her promotional material for her latest show Joan Jaffe's MAN-ha-ha-ha-TAN and its still true - She's even funnier in this new romp at Don't Tell Mama. With Jerry Scott, her multi-talented, multi-award-winning musical director/arranger, she had a captivated audience hootin' and hollerin' at her stand-up stuff and several comedy songs, such as Murray Grand's "Too Old to Die Young" and "One Stop Shopping," by Sue Matsuki. Not just a clown, she proves her versatility with standards, particularly a compelling take on Vernon Duke's "Autumn in New York."

"Broadway Hootenanny"

Written by Bart Greenberg

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Imagine you've been invited to a lovely, luxurious home in Manhattan for a happy party. After everyone's had a drink or two, a convivial, and talented, fellow slips over to the baby grand to play a few tunes. He's joined by some of the guests, the attractive couple celebrating a night out away from the child, the stunning brunette, who with a penchant for torch songs and the great cheerful fellow with the big voice, and personality to match. Oh, and a charming young couple from out of town who just happen to have glorious voices. And your host is happy to introduce everyone and knows an amazing amount about American music.

"Great Songs," Great Singer, Not-So-Great Show

Written by Andrew Martin

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There is a wonderful group on Facebook called Forgotten Musicals, in which every day, a concentrated core of men and women who have worked on and off Broadway in a variety of capacities, congregate to discuss mainstage musicals which time has passed by. These extremely savvy individuals would no doubt have absolutely adored Great Songs Seldom Heard, a recent offering by songstress Sandy Bainum at the Laurie Beechman Theatre, for its inclusion of material from such shows as Irving Berlin's Stars on Your Shoulder and Kicks by Tom Eyen and Alan Menken, not to mention the unproduced Sondheim flick Singing Out Loud. Unfortunately, although Bainum is a riveting entertainer whose blonde statuesque beauty is truly blinding, and who possesses a set of pipes that are equally staggering to the ear, there is so much wrong with this presentation, as to make it gravely disheartening. On the bright side, however, every single element will be imminently fixable once a proper director is employed therein.

The Art of Criticism - One Critic's Perspective

Written by Melody Breyer-Grell

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Why is arts criticism important? In a perfect situation, criticism would serve at least three-fold. Worthy artists would receive recognition, audiences could be informed and, in many cases, the work of criticism can be entertaining in itself, offering opinions and expertise with compassion and even an edge, when they feel pushed a to the limits of taste and abilities.

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Pick of the week

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This week, our Cabaret Pick is Elizabeth Sullivan on Sunday. She’s a lady who celebrates her birthday during this week, too (May 22). She’s a graceful, dignified, full-of-heart performer and a thoughtful, artful songwriter who does not shy away from real feelings. Whenever I see her perform, it’s a tenderly tendered mix of smile-inducers and tear duct activation.

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