Anya & Robert’s “Hello, West 46th Street: An Evening of New Cabaret Songs”– A Cabaret Review

Anya and Robert on West 46

Here’s a cabaret review of Anya Turner & Robert Grusecki’s Hello, West 46th Street: An Evening of New Cabaret Songs; catch it the 23rd on West 46th!


“Your hist’ry sets my foolish heart aglow
Like Barbara Cook at Brothers and Sisters
And Blossom Dearie whispering her show
At Danny’s”
—from “Hello West 46th Street”

Among the definitions of “smart” in Webster’s New World Dictionary are: “brisk, vigorous, lively”; “alert, clever, capable, quick, witty”; “neat, clean, fresh” ; and “in keeping with the current fashion, stylish.”  All of these definitions apply to a style of cabaret that once flourished in New York City. Often featuring the authors of the material, this is where Nichols and May got their start, as did Comden and Green, and the lovely Blossom Dearie made a home. For a few minutes (70 to be exact), Anya Turner and Robert Grusecki brought the magic back to Don’t Tell Mama on July 20th.

Anya and Robert

The married couple co-write their material with no acknowledged division of labor between music and lyrics. Grusecki stays at the piano and provides the musical accompaniment  while Turner takes center stage and does most of the featured singing. Since Grusecki is a songwriter who sings while Turner is a singer who writes songs, this is an ideal arrangement (although the former does a touching solo tribute to his father “Paul”).

Early in the program, Turner announces that they are offering contemporary cabaret songs, “if there is such a thing.” Truthfully, they work in traditional forms, evoking Maltby & Shire, Kander & Ebb and Stephen Sondheim here and there, while remaining uniquely themselves. However, their topics are often very current, from aging (both of parents and oneself) to the changing world to transsexuals. And all of these topics, and more, are treated with great compassion and a generous heart.

Anya and Robert caricature

Many of the songs are quick and specific character studies, from the temp worker with her constant companion, her headphones (“Ordinary People”), to “Janet (and like that)” about Turner’s mother to novelist “Harper Lee”. The writing is detailed and yet concise:

“I live alone
I eat my breakfast when I want to
No one hurries me
I call up friends
Sometimes we make a date for bridge
But nothing worries me”
–from “Janet (and like that)”

     Anya and Robert CD

In between these explorations of personalities, the duo offers up amusing songs of their own experiences in show business (“How Do You Write a Song” and “We Wrote a Show”) and other personal matters.

Throughout, their patter is brief, to the point, and never less than natural and charming. They seem to truly enjoy performing these songs for the audience, offering them up as gifts.

When the delightful duo throw another party Don’t Tell Mama on August 23, I highly recommend you accept their invitation.


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